SUNSPRING
SCREENPLAY
ANTTI KOKKONEN
Written as a university course assignment.
Inspired by “Sunspring” -
a short film directed by Oscar Sharp.
FADE IN:
INT. RESEARCH LAB - WORKING HOURS
CARL, 27, sits by his table, looking into the distance. ELISA, 32, sits at her own table too, yet she is focused on her work.
CARL
Do you ever wonder what it was
like?
ELISA
What?
CARL
Home.
ELISA
Not much.
CARL
You know it’s winter right
now?
ELISA
Oh yeah?
CARL
Yeah. It might even
be snowing.
ELISA
Cool.
Silence.
CARL
(stands up)
I need a break.
ELISA
Well, you sure have been
working hard.
Carl walks to the other side of the room. He takes a cup and waits for a machine to fill it with coffee. Elisa is still focused on her work.
CARL
What’re you up to?
ELISA
Not much.
CARL
Yeah?
ELISA
Yeah, just finishing up with
this analysis. Should be
ready soon.
CARL
Great.
ELISA
What about you?
CARL
Not much.
ELISA
Right.
Carl looks through the window next to the coffee machine. We can see now that we are in space. Countless stars decorate the view. But in the middle of it all there is a dark sphere that neither emits nor reflects light. Carl watches the sphere fascinated.
ELISA (CONT’D)
You’re going to drink that?
CARL
Hm?
ELISA
Your coffee. It’s ready.
CARL
Oh, right.
INT. AIRLOCK - SLEEPING HOURS
Carl, dressed in a space suit, presses a button. A door opens to the outside of the spaceship.
EXT. OUTSIDE THE SPACESHIP - CONTINUOUS
Carl takes a step and starts floating towards the sphere. But it does not look like Carl is getting closer to it. It looks like the sphere is getting bigger. It devours the space around itself. Carl’s radio TURNS ON.
ELISA (V.O.)
(over radio)
Carl, come inside.
But it’s too late.
INT. STORAGE CLOSET - MORNING
Carl drops on the floor. He groans. After a while he gets up. He takes his helmet off.
INT. HOUSE ENTRANCE - CONTINUOUS
Carl steps out of the storage closet. He is inside a beautiful house. The morning sun shines through big windows.
A young boy in a pyjama walks down the stairs. He sees Carl and stops halfway. He then resumes walking, watching Carl shyly. He stops at the bottom of the stairs.
Carl watches the boy for a moment and then walks to him calmly. He places his hands around the boy’s head. He then twists the head with force, SNAPPING the boy’s neck.
INT. KITCHEN - MORNING
Carl sits by a table, looking into the distance. A hand puts a bowl in front of him.
WOMAN (O.S.)
Here Carl, now eat your
breakfast!
Carl eats a spoonful of cereal, still unfocused.
WOMAN (O.S. CONT’D)
Wait, it’s snowing now?
No way!
Carl does not react. He takes another spoonful.
FADE OUT.
THE END